But when one remembers that Vincent ruined his health with excessive tobacco usage (alongside the regular imbibition of absinthe), the piece takes on a more somber tone.Įdvard Munch, Love and Pain, 1895, oil on canvas, Munch Museum, OsloĮdvard Munch’s 1895 painting Love and Pain is a piece that holds profound sorrow within its brushstrokes. Skull of a Skeleton with Burning Cigarette is a seemingly light-hearted piece, its subject possessing a whimsical expression upon its lack-of-an-actual face. While more widely known for the tragedy of his life than the darkness expressed within his paintings, Van Gogh did nevertheless dip his brush into the more macabre on occasion in his early works. 1885-86, oil on canvas, Van Gogh Museum, Amsterdam Vincent van Gogh, Skull of a Skeleton with Burning Cigarette, c. The seated nun found on the righthand side of the piece adds a further element of blasphemy to the tableau, as she squeezes out the liturgical music between pale hands. This naturally adds to the intensity of the piece, for if the witches themselves cower before their infernal master, then how about us? The Great He-Goat, an adumbral mass, whose murky yellow eye is directly cast to those of the viewer, is one of the most potent representations of Satan in art. The titular witches are not cavorting, fevered, and de-robed around their dark master, but huddled together in a fearfully respectful mass, more akin to the poor about to receive alms than omnipotent representations of the eternal feminine. Part of Francisco Goya’s notorious Black Paintings, Witches’ Sabbath is, not surprisingly, decidedly stygian. This quintessential mood and tone of late October can also be found in countless paintings throughout art history, and no more suitable time exits as when to let one’s gaze get lost within the strange and shadow-cast worlds awaiting inside the frame.įrancisco Goya, Witches’ Sabbath (The Great He-Goat), 1821-23, oil on plaster wall, transferred to canvas, Museo del Prado, Madrid Scarves and overcoats are donned for visits to the museum or gallery, and as All Hallows’ Eve inevitably approaches, thoughts turn to the preternatural, to witches kneeling in moonlit copses, to spirits flitting through darkened hallways, to the devil lurking on some windswept corner. The light starts to wane, and trees loosen their skeletal grip on ochre leaves. Of course, you have to wait so that the plaster dries completely before any further surface treatment and coloring.Autumn settles in with a chill in the air. This will cover easier any imperfections and create a smoother surface. Some products are diluted into alcohol.Īnyway, I think the material to use depends on what you want to do with the surface texture and micro details: thicker materials (or pastes) mostly cover texture and need to finish them with fine sandpaper. It will be sprayed or applied with a brush. In the case of sculpture, a liquid primer would be required to prepare the surface. The specific materials can differ according to the specific goal each time. The plaster will absorb that paint and this manner it will be less absorbent for further layers.įrom another point of view, I remember that various materials are used for scale models, in order to cover/fix small imperfections or prepare the model’s material to receive the color. In the case of acrylic colors, I would think to a first well diluted layer or two. I think especially to small size sculptures, where detail can be relevant. There are so many commercial products and so many working practices.Īpplying gesso and oil paint, I’m afraid it will be harmful for fine details on the sculpture surface. Nevertheless, each one can give a different advice after his/her experience. I learn some brands from friends involved in the model world: Gunze (series Mr Surfacer 500 up to 1200), Vallejo. I think it is suitable for various materials like plaster, polymeric clay, air-dying model clay.Īnother type is the various varnishes (water or alcohol based) that are used in the scale model crafting. In addition, Most colors for hobby, decoration and crafting are acrylic ones (eg Pebeo). I see no replies till now, however I’ll post a reply as I wondered me too about coloring/painting sculpture.įrom what I found in the net, it seems that many people advice using acrylic colors, not oil colors.
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